RAYMUND MARASIGAN IS A JINGLE FAN

I GREW up in Candelaria, in a little town in Quezon province, a few hours away from Manila. I discovered JINGLE magazine in my early teens from older cousins. At first, it was just to learn the lyrics of my favorite tunes, then later on to learn the chords. A bit later, I read the reviews and based my music/LP buying (with my limited high school budget) if it was a best or worst rating. Haha. I asked my mom to regularly buy the magazine from the neighboring cities of San Pablo and Lucena.

One time, an issue was so late, I even asked my mom to take me to their Cubao office. I was surprised how small it was. Of course, no one minded me. Haha. I never did find that damn issue.

When I went to college in UP, I found new (lifelong) friends (and bandmates) in Kalayaan freshmen dorm by hanging out and singing tunes with a guitar and a portable keyboard with our old, worn out copies of JINGLE.

My unknown college band discovered Club Dredd and Red Rocks by searching for addresses in the magazine. (We were a bit late for Katrina's.) In Dredd, we met most of our heroes we only read about in the magazine. Eventually, the magazine folded up but the music and INFLUENCE live on. 

 

Thank you, JINGLE.

Raymund M.

NOTE: Acknowledging LoWRIDA15 for the YouTube video.

BAGUIO IN MY MIND

I WAS in grade 6 in 1968, about 10 years old, when I was introduced to Baguio. Together with my brother Raul, who is two years older than me, and our Kuya Gilbert (the progenitor of JINGLE), we took the six-hour bus ride one early morn. My eyes grew as big as fishballs (not yet invented in those times) in stupefaction as the series of mountains unfolded right before us during our ascent to the City of Pines. The zigzagging Kennon Road ride was exhilarating and nerve-wracking, to say the least. I held on for dear life onto the metal bars of the bus.

First stop, after taking our brunch, was Lourdes Grotto on the uppermost part of the mountain that featured 252 steps. My jaw almost dropped for it was my first time to see clouds over my head. It's as if you can reach out and touch it. How did that happen? It was really awesome for a young boy who was yet to see the wonders of the world. We went horseback riding in Wright Park and witnessed an accident unfold right before our eyes. As Raul and I were about to get off our rented horses, a young boy, who was continuously whipping his horse from the back, was kicked in the face with a speedy back flip. The horse hit the boy's face directly that blood began to ooze out almost instantaneously. The people around were shouting: "Quick! Bring him to the hospital!" The three of us were stunned and not a word was spoken.

What would it be like if we didn't even visit Mine's View Park? We went looking for everlasting flowers because our mother insisted that we buy her one or two garlands for her altar. We also bought some strawberry and ube jams in small bottles. Remember that during those times, the Good Shepherd mecca of pasalubongs was not yet around. We had to squeeze in as many destinations as possible for we had to go back home the same day...Wala pang budget eh.

FAST FORWARD. The next time we visited Baguio was when I was about 14 years old. We took the night bus ride -- to better enjoy the early morning sunrise while arriving in the city proper. This time, we were with some of our employees. It was a company blowout because the magazine sold well the past year. 

First stop was Baguio Cathedral (Our Lady of Atonement) in Session Road to give thanks for a safe voyage. Next in line was boat-riding in Burnham Park. We also went strolling in the famous Baguio road bereft of traffic and pollution in the early 70's. Not like the sorry state it is in today. Tsk tsk...

We always drove our white Ford delivery van for our next "climbs" to Baguio. I had it installed with six speakers all around and two twitters in front for a balanced and full sound. Remember that the 8-track cartridge was in vogue during those times --  long before the cassette tape was introduced in the market. Pioneer ang player namin nuon. Folk rock songs that featured James Taylor were our on rotation all the way from Manila to Baguio. Dapat terno sa pupuntahan. The sound should also be cool.

I had my fave songs in vinyl taped in 8-track tapes in the very first shop of Love Electronics in Farmers Cubao. I had a vast collection of cartridge tapes back then. Puro various artists. Mga best of. I brought all of my ammo (8-track tapes) to Baguio. Remember that the farthest point then of North Luzon Expressway (NLEX was not even coined that time) was Dau, in Angeles, Pampanga.

Nowadays, driving is a lot easier and faster via NLEX that connects us to SCTEX (Subic-Clark-Tarlac) and TPLEX (Tarlac-Pangasinan). Ngayon eh hanggang Pozorrubio, Pangasinan na via TPLEX. I heard that they are extending it all the way right on the foot of Mountain Province. All these freeways we enjoy hassle-free today will not be possible without the oomph of big conglomerates owned by Manny V. Pangilinan and Ramon Ang -- both stalwarts of progress in the country.

FAST FORWARD. Each year, together with my family (with Nerissa and our two kids Paolo and Jaila, and in some instances with Mommy Celi, my mother-in-law) we de-stress and leave everything behind and head on to Baguio.

Everytime we reach Kennon Road, I let Nerissa take the wheel. She would then drive barefoot all the way to Session Road. She enjoys the adrenaline rush of it all. Pero pag magpa-park na nang paatras...ako na uli...That's her waterloo.

We usually go up in December when the weather is cooler compared to May or June. And because of overcrowding and heavy traffic in the urban jungle, the once fine weather enjoyed by everyone is no longer there. Mainit na dun. Everything has even become too commercialized these days.

Pine trees are felled down to give way to houses and commercial establishments being built left and right. Less trees plus smoke emissions from visiting cars equals warm days and nights. It is that simple.

Paolo, our son, always sits in front of the car. I would always say, "Four eyes are better than two."  We usually travel during daytime for better vision. We always avoid traveling at night for I am nearsighted and I have a hard time with long drives in the evening. Because of my son’s navigation with the help of the Waze app, it's easy for us to navigate the traffic-laded Baguio streets. Mahirap kasing maipit sa pataas na road sa traffic...baka umatras ka pagkambyo mo. We always go to Tam-awan Village, a reconstructed Cordillera community where they showcase Baguio artists in their gallery. You can also have a self-portrait done by local artists there.

Another favorite hang out in is Camp John Hay Ayala Techno Hub (ang haba) for they have ample parking spaces and lots of affordable restos. We always chill out in Starbucks -- my personal choice. 

We’re also regulars in BenCab Museum in Tuba, Benguet that features his and other notable guest Filipino artists’ works, plus indigenous highlands exhibits.

Ukay-ukay -- which hawks donated second hand clothes from around the world -- was first introduced in Baguio. You only need an inexhaustible supply of patience while laboriously sifting through numerous used clothings that are very cheap. They also have an ukay-ukay night market right beside Burnham Park which starts at about 8:00 pm until about 1:00 in  the morning. They cordon off the road for the regular ambulant vendors. All of them are assiduous. Ilocanos are known for that...

Fave restos: Canto, O’ Mai Khan (Mongolian), Amare’ La Cucina, The Happy Frog, Jack’s.

The last time we were in Baguio, we drove all the way to Ambuklao Dam. It is a back-breaking drive on a steep, narrow and snaky road that is connected to Nueva Vizcaya. It was all worth it, for we witnessed the impressiveness of the dam first hand.

Baguio will always be a treasure trove of memories. There's a lot more that I haven't remembered in this post but will always be part of our annual family Baguio escapade.

My family and I took a leave this year. Just imagining the heavy traffic, the crowded parks, full-packed restos and taken parking spaces...we decided to stay in Manila...and breeze through EDSA because everyone is on vacay.

MY 70'S ROCK SINGLES PLAYLIST (Part 2)

AS promised...here is Part Two of my 70's playlist. Pardon me for including too many entries (50) this time. You see...the 70's are my salad years. Let us all now lose ourselves in memory lane.

• "Highway Star" (1972)/Deep Purple. A perfect soundtrack for the imaginary prequel of The Fast and the Furious. 
• "Aqualung" (1971)/Jethro Tull. Singer-songwriter-flutist-guitarist Ian Anderson's contribution to the prog rock genre. 
• "The Needle and the Damage Done" (1977)/Neil Young. Great acoustic guitar from the master himself; an obvious message for the junkies. 
• "All Right Now" (1970)/Free. One of the best vocalists of his time: Paul Rodgers. 
• "Dream On" (1973)/Aerosmith. Imagine you're in a dream-like state... 
• "Ooh La La" (1973)/Faces. I'll say it again: long before Rod Stewart sold out. 
• "Born to Run" (1975)/Bruce Spingsteen. " 'Cause tramps like us/Baby we were born to run." 
• "Ang Probinsiyana" (1977)/Anak Bayan. Recorded in 1973 and eventually released after Pinoy Rock exploded all over courtesy of DZRJ; the unsung heroes started the movement together with JDCB. 
• "Black Betty" (1977)/Ram Jam. In-your-face rhythm; one-hit wonder group.
• "Tupelo Honey" (1971)/Van Morrison. "You can't stop us on the road to freedom." 
• "Tiny Dancer" (1971)/Elton John. The partnership of the pianoman and erstwhile lyricist Bernie Taupin churned a string of hits in those days; watch out for Sir Elton's biopic. 
• "Your Smiling Face" (1977)/James Taylor. A rare fast number from the troubador.
• "Knocks Me Off My Feet" (1976)/Stevie Wonder. Still remains as my all-time preferred hit from the genius. 
• "Another Brick in the Wall" (1979)/Pink Floyd. Check out the free-flowing guitar solo. 
• "Imagine" (1971)/John Lennon. Still stands the test of time...never fades away. 
• "Won't Get Fooled Again" (1971)/The Who. From the group's Who's Next (to jingle) album. 
• "Bohemian Rhapsody" (1977)/Queen; "Stairway to Heaven" (1971)/Led Zeppelin; "Hotel California" (1976)/Eagles; "American Pie" (1971)/Don McLean. What would the 70's be like without these polished gems? 
• "Layla" (1970)/Derek & the Dominos. Feel Eric Clapton's honesty and pain.
  
• "Walk This Way" (1975)/Aerosmith with Run DMC. Rock meets rap. Great collab. 
• "(Masdan Mo) Ang Kapaligiran" (1978)/Asin. The first ever local environmental ode, as I know it. 
• "Rikki Don't Lose That Number" (1974)/Steely Dan. Flawless and excellent phrasing from Donald Fagen. 
• "The Logical Song" (1979)/Supertramp. I'm imagining this tune with "little people" in multi-colored clothing prancing around in merriment in a garden filled with never-seen-before flowers. 
• "Like a Hurricane" (1977)/Neil Young. Lav Diaz and I used to sing this one in our Cubao office. 
• "All the Young Dudes" (1972)/Mott the Hoople. Glam rock invades the scene; written by David Bowie(+). 
• "Roundabout" (1971)/Yes. Art rock has never been this tasteful.
• "Ohio" (1970)/Crosby, Stills, Nash & Young. A counter-culture protest statement against the Nixon presidency. 

MY 60’S ROCK SINGLES PLAYLIST (Part 2)

THE 60's rock singles will never see daylight if it weren't for these ground-breaking and trailblazing 50's jewels. Allow me to mention a few that shaped the musical landscape as we know it today. Boys and girls, the birth of rock 'n' roll!

50's

• "Rock Around the Clock" (1954)/Bill Haley & His Comets. Sold 24 million (and counting) copies worldwide. Big bucks indeed. 
• "Johnny B. Goode" (1958)/Chuck Berry. One of the progenitors of rock. 
• "Long Tall Sally" (1957)/Little Richard. The wildman "having some fun tonight." 
• "Jailhouse Rock" (1957)/Elvis Presley. His gyrations shook all up. 
• "Whole Lot of Shakin' Going On" (1957)/Jerry Lee Lewis. Piano playing never been this great. 
• "Blue Suede Shoes" (1955)/Carl Perkins. See another video with young and wide-eyed students Harrison and Clapton by his side; Elvis did a version of this. 
• "Be-Bop-a-Lula" (1956)/Gene Vincent & the Bluecaps. One of the earliest rockabilly songs; Elvis also covered this. 
• "Bye Bye Love" (1958)/Everly Brothers. Their spiralling two-part harmony was always rock's defining moment.

GONE BUT NOT FORGOTTEN

IN MY LIFE

There are places I'll remember
All my life, though some have changed
Some forever, not for better
Some have gone and some remain
All these places have their moments
With lovers and friends I still can recall
Some are dead and some are living
In my life, I've loved them all

But of all these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new

Though I know I'll never lose affection
For people and things that went before
I know I'll often stop and think about them
In my life, I love you more

Though I know I'll never lose affection
For people and things that went before
I know I'll often stop and think about them
In my life, I love you more
In my life-- I love you more

Songwriters: John Lennon / Paul McCartney

In My Life lyrics © Sony/ATV Music Publishing LLC

THIS is a tribute to perennial friends that went ahead of us into the unknown. Friends who touched my life in so many special ways. Musicians and a writer -- all of them have a special niche in my heart.    

Menchu Apostol -- Chumen as we fondly called him -- was a gifted guitar player who died early in his prime. I met him thru saxophonist Rey Ama (a schoolmate of mine at the UP College of Music). I best remember Chumen as a very humble person.    

I invited their band in the late 70's to practice in Capitol Homes in QC where my immediate fam used to reside since my beat-up amps, guitars and drums were all gathering dust. "Dust in the Wind" by Kansas ang peg. I had no band back then, you see.   

Fast forward… They called their band Group & Gang and they carved a name for themselves in Olongapo. "Ric, yung isang banda dun...nakatsinelas lang pero Yes ang tugtugan," kwento ng bahistang si Ike Liongson. "Araw-araw nga eh piyesta. Ganun kasaya ang scene dun," added Rey (flutist/keyboards). Later on, Resty Fabunan of Maria Cafra got Menchu to play in their all-original Jem debut album.     

Menchu had a cutting edge sense of hearing. He could easily detect sloppy guitar and out-of-sync drum playing. He was truly a band leader through and through. I can attest to this because I was fortunate enough to be invited to join them in one of their gigs.

Fast forward… Menchu became an in-demand sessionist and musical arranger but has remained humble as ever. I vividly remember seeking him out because our musical director in JINGLE opted for greener pastures. Chumen gladly obliged and, soon after, when someone came along to take over full-time, he didn't even bother to claim his TF. I returned the favor by giving him 3 jazz albums when I visited him at Birds of the Same Feather where I used to chill by listening to good music with a few bottles of ice-cold San Miguel beer. Nothing more, nothing less -- just the best. Chumen was with Sticky back then playing cool jazz.    

Pare, kita-kita na lang tayo "dyan" when the time comes. Jam uli tayo. Tugtugan mo ako ng gitarang iba ang hugis at tunog…    

Boy Royo was the quintessential rock star in every sense of the word. He acted and looked like one. He walked the talk, 'ika nga. Boy and his kumpadre Lollie Florencio(+) joined JINGLE's music department when we already had about five or six chapters out in the market. Both also lived in San Juan.    

Kuya Gilbert told us to form a group for he would be producing Triple H (Hot na Hot Happening) -- a three-night rock concert in Meralco Theater. He called us Jingle Clan comprised of the music department guys: Ogie Tupaz (guitar/vocals), Ricky Gruet (guitar/vocals) -- who eventually became a licensed doctor, Lollie Florencio (lead guitar/vocals), yours truly (ahem) (lead vocals) and Boy Royo (lead vocals). Puro mga batang San Juan yan.   

CSNY songs were our bread and butter. "Suite: Judy Blue Eyes" was our fave warm-up practice song then. "Ipokree, ahlalala gumamela...Yonosoy, oorder na ng lasagna..." Wala yatang ganung food pa noon. Hehehe.    

Boy specialized in Neil Young songs. Paborito niya eh. "Tell Me Why" na pang-harmony. 

Emil Davocol (chief artist) who also passed away, Dan Tagbo (artist), Ogie, Boy and Lollie were all pirated by DJ Danee Samonte from us. They put up Burgis (BM in later issues) which was bankrolled by Mareco-Villar, a record company that also owned and operated DZBM -- a pop/RnB AM radio station.   

We struggled shitless back then. We were like injured dogs with broken limbs. Napilay kami talaga.      

My friendship with Boy and Lollie was never compromised after all the brouhaha. I still visited them in San Juan whenever I could for they were my drinking buddies. Jam ng konti. Pitik-pitik ng toma, ayos na. Those were happy days indeed.     

Lollie always admonished me then, "Ric, kami eh pabalik na... ikaw papunta pa lang... wag mo na kaming gayahin."    

Cheers to you then, Boy and Lollie! Jam uli tayo dyan… pag nagkita-kita.     

FIRST WAVE OF JINGLE ARTISTS

THESE three fine gentlemen belonged to the First Wave of artists who extensively contributed their art for JINGLE in the early years. Through FB, our paths crossed again. Visuals muna tayo ngayon...

Daniel Tagbo worked as a graphic designer in New York and California. He has also taught art classes in Shanghai, China for five years and is presently residing in Lucban, Quezon.

🔆🔆🔆

Red Mansueto studied Fine Arts major in Advertising at the University of the East.

 He worked at J. Walter Thompson Advertising; lived in Hong Kong; and, is still active 

in the local art scene.

🔆🔆🔆

Eric David is currently self-employed. He studied at the University of Santo Tomas 

and has worked in Sydney, Australia and California. 

 Note: All artworks herein are posted with permission of the artists. 

MY 60's & 70's PLAYLIST (Part 1)

THESE are my all-time favorite singles since the 60's up to wherever my memory takes me (with invaluable help from Google and Spotify).

60's 

•  "A Whiter Shade of Pale" (1962)/Procol Harum. Undying organ riff.
•  "Like a Rolling Stone" (1965)/Bob Dylan. Angst-driven rock.
• "Penny Lane" (1967)/Beatles. Meticulously orchestrated.
• "Turn, Turn, Turn" (1965)/Byrds. Spiritual message for believers.
• "Louie, Louie" (1963)/The Kingsmen. A mixture of rock and soul.
• "Don't Worry Baby" (1964)/Beach Boys. Groovy vocal harmonies.
• "Groovin' " (1967)/Young Rascals. Chill music while driving on traffic-free Sundays.
• "Scarborough Fair/Canticle" (1966)/Simon & Garfunkel. Simple yet elegant plucking.
• "My Generation" (1965)/The Who. "Hope I die before I get old." Buhay pa ang lolo mong Pete Townshend.
• "All Day and All of the Night" (1965)/The Kinks. One of the earliest punk songs.
• "Soul Kitchen" (1967)/The Doors. Danceable groove.
• "Sunshine of Your Love" (1967)/Cream. Eric Clapton soloed on this.
• "The 59th Bridge Song (Feelin' Groovy)" (1966)/Simon & Garfunkel. Good bass line on the break.
• "You Really Got Me" (1964)/The Kinks. Long before punk was born...
• "Dear Mr. Fantasy" (1967)/Traffic. Steve Winwood, one of their generation's best crooners.
• "Do You Believe in Magic" (1965)/Lovin' Spoonful. Enigmatic John Sebastian's group before going solo.
• "Sympathy for the Devil" (1968)/Rolling Stones. Mick Jagger's vocals did not disappoint as always.
• "Strawberry Fields Forever" (1967)/Beatles. Psychedelic John Lennon at his finest.
• "Drive My Car" (1965)/Beatles. Feel good vibes while cruising.
• "Dance to the Music" (1968)/Sly & the Family Stone. The inventors of funk.
• "Blowin' in the Wind" (1963)/Bob Dylan. Prophetic words indeed.
• "Here Comes the Sun" (1969)/Beatles. Good music to start the day right.

70’s

• "Mercy Mercy Me (The Ecology)" (1971)/Marvin Gaye. A classic song like this never fades away.
• "Whenever I Call You Friend" (1978)/Kenny Loggins feat. Stevie Nicks. Their vocals complement each other.
• "Sweet Home Alabama" (1973)/Lynyrd Skynyrd. Good for head-bobbing.
• "Maggie May" (1971)/Rod Stewart. Before he sold out.
• "Running on Empty" (1977)/Jackson Browne. Another grizzled vet on the scene.  
• "What's Going On" (1971)/Marvin Gaye. Message galore for positivity.
• "Purple Haze" (1970)/Jimi Hendrix. The first song I learned to play in my guitar.
• "Take It Easy" (1977)/Eagles. Well-executed vocal harmonies.
• "Black Dog" (1971)/Led Zeppelin. The first heavy metal band.
• "Himig Natin" (1975)/Juan dela Cruz Band. The precursor, the conduit before the OPM invasion.
• "Midnight Rider" (1970)/The Allman Brothers Band. The wailing is unmistakably Gregg's.
• "Ventura Highway" (1972)/America. Another track for long drives.
• "Can We Still Be Friends" (1978)/Todd Rundgren. Multi-instrumentalist Todd's biggest hit.
• "What a Fool Believes" (1978)/Doobie Brothers. Michael McDonald never ceases to amaze.
• "Do It Again" (1972)/Steely Dan. Donald Fagen and Walter Becker's first foray into the scene.
• "Moonshadow" (1971)/Cat Stevens. Reminds me of "little people" dancing in a dimly-lit garden.
• "Time in a Bottle" (1973)/Jim Croce. Jim's song for his first-born.
• "Sultans of Swing" (1978)/Dire Straits. I first heard this one in Tagaytay.
• "Hummingbird" (1972)/Seals & Crofts. Intricately-crafted guitar lines.
• "Have You Ever Seen the Rain" (1970)/Creedence Clearwater Revival. A song everyone wants to have written by themselves.
• "Blinded by the Light" (1976)/Manfred Mann's Earth Band. Hypnotic organ-riffing.
• "Roxanne" (1978)/The Police. Rock treatise for the "red light" girls.
• "Fire and Rain" (1970)/James Taylor. His first plunge into immortality.
• "Lido Shuffle" (1976)/Boz Scaggs. Blue-eyed soul.
• "The Road" (1972)/Danny O'Keefe. An obscure act worth mentioning.
• "Brandy (You're a Fine Girl)" (1972)/Looking Glass. Another one of those one-hit    wonder groups.
• "Morning Has Broken" (1971)/Cat Stevens. Check out the piano accompaniment.

➽➽   Watch out for Part 2 of 60’s and 70’s favorites.

HEYA PEEPS! IT WOULD BE NICE TO READ 

IN THE COMMENTS SECTION BELOW YOUR TAKE ON THE 60'S MUSIC. 

POST YOUR OWN PLAYLIST AND INCLUDE A STRONG MEMORY IT INVOKES. 

LET'S ROCK AND ROLL!